Stampa

Cosa pensa il pubblico?

Hanno risposto con entusiasmo, desiderosi di tornare, volendo ascoltare di più. Condividono le nostre idee, reagiscono, ci fanno domande, controbattono. Eseguendo solo un’opera, diamo al nostro pubblico la possibilità di concentrarsi e capire. Così, invece di saturare un bisogno di musica, lo creiamo veramente, dando inizio, forse, al loro personale viaggio musicale.

Hearing them play Beethoven was like seeing an image through a telescope come magically into focus. The Guardian, 12.06.2011

It was thrilling to hear top players from orchestras throughout Europe freed to take responsibility and to create music from the inside. The funeral March movement was as moving, in its austere heart and its moments of ravishing beauty, as I have ever heard it. And the pinpoint precision of the string in the Scherzo caught the breath. The audience leapt to its feet in a spontaneous ovation. The Times, 9.11.2010

The whole orchestra turns to a natural, resonant body which breaths, moves and shows much soul and heart. It definitively leaves nobody cold! Hamburger Abendblatt, 3.10.2010